Don't
I know that face...?

Those big, staring eyes,
that dimpled chin ...
Within 50 years of Constantine, Christ
gets an identical face!

(4th century mosaic floor,
Hinton St. Mary, Dorset, England)

Apollo (aka Helios, Phoebus),
sun-god on his daily ride across the sky.
Like Horus before him
and Christ after him, he was the Light of the World.
Apollo was also the god
of healing, so sick people prayed to him.
He was also, son of the
Big Guy – who in those days went by the name of Zeus!
Looks familiar...

Young, Antinous-like Christ (complete with exposed genitals) gets
his holy bath
6th century Arian baptistery, Ravenna
Aging
God
"The
figure of Christ,
which had at first been youthful, becomes older from century
to century... as the age of Christianity itself progresses."
– Adolphe Didron, Christian
Iconography.
Lamb Chopped
At the close of
the 8th century, Pope Hadrian I (772-795) confirmed the decrees
of the 6th Synod of Constantinople held almost a century
earlier and commanded that thereafter "the figure of a man
should take the
place of
a lamb
on the cross."
It took Christianity
eight centuries to develop the ubiquitous symbol of its suffering
Savior.
For 800
years, its Christ on the cross had been a lamb.
But if a real flesh
and blood Jesus had actually been crucified,
why was his place on the cross so long usurped by a lamb?
Well Dead

Michelangelo Gets with the Program
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A
melange of apostate Jews and déclassé Greeks
create a God:
From
Apollo to Jesus Christ!
During
the 2nd and 3rd centuries Greek sage and Jewish scribe,
pagan hierophant and Egyptian
priest, all contributed to the fabulous 'Christian' legend.
The common hope was for an afterlife, no longer just
for
the elite
but for all and sundry. To Constantine the
superstition was useful. In
the early 4th century, the worship of Jesus Christ became
a State sponsored cult
throughout the Roman Empire – and was particularly
successful in Egypt. |

Apollo – Fit
Handsome,
young, healthy and naked
(Um,
that won't do for a Christian empire... )
|
Jesus
Christ – Super-synthesis
Messianic
savior god, promising a personal salvation – the
ultimate product of East
Mediterranean syncretism.
Synthetic,
composite character, combining characteristics of Serapis (king
and judge), with Greek sage (wisdom, compassion), Antinous (perfect
man, protecting sacrifice) and the Roman variant of the sun-god – Mithras.
The
winning ingredient of the Christians was to bring this
new god to life by setting him in a Jewish
pageant, clobbered
together from plagiarized episodes of Old Testament scripture
(over 400 direct quotes) and well-worn pagan motifs.
The
various 'biographies' (gospels) were never fully harmonized;
it took over three centuries of violence to
more or less agree the underpinning 'theology' but then – WHAT
A SUCCESS STORY!
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JC takes
over from Apollo as the Sun God in his fiery chariot
3rd century,
tomb mosaic, Rome |

Apollo as
Sun God - 2nd century AD |
 |
JC, with augur's wand and legislator's scroll, raises Lazarus
3rd century sarcophagus |
|
 |
JC
takes over from Apollo as the "Good Shepherd"
4th century,
catacombs, Rome |

Good Shepherd Christ 4th century
AD Rome |
Good Shepherd Apollo 6th century
BC Athens |
 |
JC dons
his philosopher's toga
4th century,
Rome |

Socrates – 5th
century BC Athens |
 |
JC takes
over as teacher
4th century – Sarcophagus
of Junius Bassus (Rome, 359 AD) |

Greek philosopher
as teacher – Socrates – 5th century BC Athens |
|
Baptism of boyish 6th century Christ (Ivory,
Egypt or Syria – British Museum).
Note: The River
Jordan is personified (lower right). |

4th
century Antinous, with Cross in one hand – and
the grapes of Dionysus in the other! (Stele
from Antinoopolis, Egypt. Staatliche Museen, Berlin) |
JC
takes inspiration from a human sacrifice (Antinous)

6th/7th century
Coptic Christ, Egypt
– note the grapes of Dionysus!
Clothed – but
is that a family resemblance to Antinous ?! |
 |
JC,
as Good Shepherd, wields his cross as a shepherd's crook
5th century mosaic,
tomb of Galla Placidia, Ravenna |
 |
JC,
clean shaven young man, as Greek philosopher, moving
in polite society, sporting Apollo's sun
'nimbus'
6th century mosaic |
 |
JC as
soldier – this time carrying his cross like
a lance, strutting about as a Roman conqueror
6th century
mosaic, Archiepiscopal Chapel, Ravenna |
 |
JC changes
philosopher's toga for monk's habit, grows a rabbi's
beard, gets older.
6th century,
Mt Sinai Monastery |
 |
JC,
older and weary but not yet hung on a cross.
6th-7th century,
Egypt (Coptic, Louvre) |
 |
In the West
JC,
beardless but now with distorted proportions, gets nailed
to his cross.
7th century, Athlone, Ireland |
 |
JC
becomes a Frankish warrior, complete with Woden's headdress,
weapons and long penis!
7th century,
France |
 |
In the East
JC loses his humanity, becomes solemn, stylised
icon.
7th-8th century,
catacombs, Rome |
 |
JC,
hung up to die (but keeps his clothes on)
9th century, Chludoff
Psalter |
 |
JC,
bearded yet still young, is the Christus Triumphans – on
his cross but alive and without suffering.
10th century,
Ireland (Monastery of Monasterboice) |
 |
JC – older,
uglier – just like the Church
11th century,
Sinai Monastery ("Pantocrator") Daphni, Greece |
 |
JC – mean,
sinister – just like the Church
12th
century, Russia (fresco) |
 |
JC
naked and limp on his cross
15th century manuscript
(Aberdeen) |
Jesus becomes a Borgia! |
 |
1520 Altobello
Melone paints Jesus on The Walk
to Emmaus. |
 |
1520 Altobello Melone paints Cesare Borgia,
son of Pope Alexander VI and thoroughly nasty piece of
work. |
The familiar image of Jesus Christ – modelled
on the notorious Renaissance prince, in turns archbishop, cardinal, warlord and
murderer. Dead at 31. At one point Cesare hired the services
of Leonardo da Vinci (see Shroud). |
 |
JC
in agony – Just
like Christian Europe
16th
woodcut (Durer) |
 |
JC
emaciated, dead
16th century,
Netherlands (David Gerard) |
 |
JC – On
his knees, beaten, suffering – looks promising ...
17th century, Spain |
 |
That's
better – a tortured man for a tortured society ...
Christianity
triumphs
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Copyright © 2004
by Kenneth Humphreys.
Copying is freely permitted, provided credit is given to the author and no material
herein is sold for profit.
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